Amelie

Jean-Pierre Jeunet continues to impress me. The first I saw of his was Micmacs…then City of Lost Children, and now Amelie.
I think Amelie is probably his most widely known film, and it’s fairly new…2001.
It’s about a girl named Amelie, surprise surprise, who had a very antisocial life growing up, lacking a lot of human contact.
Now, she’s older, single, a little lost, but thoroughly enjoying the small things in life.
She’s almost nauseatingly nice…like, really…I’m not sure it’s possible. Her first act of kindness, that we witness, is her tracking down and anonymously returning a childhood keepsake of a middle-aged man that used to live in her apartment. I think his overwhelming reaction kinda inspired her, and she continued to help people out and match people up anonymously.
One day she finds this scrapbook, full of different pictures of people from photo booths that had been torn up and reassembled. She sets out to find the person its belongs to, however, she plans on having a little bit of fun on the way…as she is now genuinely intrigued by this guy, due to the strange nature of the scrapbook she found. While browsing the scrapbook, she finds pictures of the same man repeated many times throughout the book, and the mystery man of the photos consumes her just as much as finding the scrapbooks owner does. Eventually, she uncovers the secret of both the man in the photos and the scrapbooks owner…and conjures up a plan to have them discover each other…well, the scrapbook man discover who the man in the photo’s is…the other half of this reunion is completely unaware that anything is happening.
As Amelie is concentrated on playing games with everyone else, she frequently visits her neighbor for talks that eventually help HER figure herself out. Her neighbor is working on a painting the entire time…one that he’s painted multiple times before, only…he can never get the face of the girl with the water right. He can never figure out her expression. As her visits increase, we assume that the girl with the water represents Amelie, and in Amelie trying to help him with her expression, she simultaneously discusses and discovers herself.
So far, every single movie of Jean-Pierre Jeunets that I have seen, has been beautifully shot, and this one is no exception! I always think it’s a pity that I have to concentrate on the subtitles as much as I do because it takes away from the visual. As with the City of Lost Children, I’ll probably end up watching it again, just to take in the visuals more…
The acting was good…nothing fantastic I didn’t think. Amelie as a character was very interesting, and I don’t think I’ve ever felt as uneasy and uncomfortable about a character that was essentially the poster child for a “good person”. It was kind of strange.
It was easy going, it was cute…I enjoyed it thoroughly (:

8.6/10

Buffy the Vampire Slayer

So...I heard so much about Buffy Buffy Buffy! Ash, you gotta watch it...I was so built up on this...and I think it may be my own fault...that upon hearing these recomendations I watched the film ( '96..'94ish?) instead of the tv show (1997 I believe) that everyone was raving about.
I thought that it would be smart to get a small taste for Buffy with the film instead of diving right into the ever famous show...
BUT I did...and I was not impressed lol.
Uhh...I'm not sure if it was supposed to be one of those movies so bad they're good??
I'm not sure...see, I'm quite a fan of movies that are so bad they're funny...even if they're not intended that way.
I get it. When it's done right, I get it.
The acting was terrible :P God, that chick pissed me off so much!!!
I dunno...I think all my Buffy loving friends are going to murder me...but I did promise I'd give the show a chance :P
anyway, I'm not going to spend a lot of my time thinking about this...I'll save it for when I get around to seeing the tv show.

4.0/10

Basquiat

I have no idea why I watched this film before I watched The Diving Bell and The Butterfly, because that was the movie that was recommended to me, by the same director. I think...that this was the first movie of this director, but I'm not positive.
It was about this black artist, Basquiat. He was homeless, living in a cardboard box, struggling to make it as an artist and to be rich and famous. Him and his friend (Benicio Del Toro) run into Andy Warhol (David Bowie) and his art dealer friend (Dennis Hopper) and Andy is actually quite a fan of his work. He buys a couple cheap pieces and they seperate. Then Basquiat is discovered by someone else, and over time ends up rising to fame in the world of painting. He reunites with Andy Warhol and they become good friends.
Unfortunately, he seems to be being used...used by people high in the business...but as much as I would like to feel sorry for him, I really don't. He kinda becomes an asshole to his old friend and the first person to recognize his art. He cheats on his girlfriend and then Warhol dies...and he discovers that that's really all he had left.
Andy was kinda the only one left in the art world that recognized him, and without him, he was nothing...with no friends or family left either.
Speaking of family...probably mt biggest complaint about this movie was the portrayal of Basquiat's relationship with his family. We learn that his family is actually middle class, so why does he live in a cardboard box. We are introduced to his father once but get no real insight to what their relationship might be (although I think we are meant ro assume that it's only after his rise ro fame that his father became re-interested in him). And we also learn that hismother is in a mental institution yet we have no idea why or how this affects him.
In that sense, the movie felt a little incomplete...and I also think that if I had previous knowledge of the artist or his work I may have appreciated it more.
On a positive note, the soundtrack and cast was AMAZING. For the cast we had David Bowie, Dennis Hopper, Benicio Del Toro, Gary Oldman, Willem Dafoe, Christopher Walken etc. It was really great...all these cameos left me and my friends going "woahh! That's _____" every other scene
With the soundtrack we had multiple songs by The Pogues, The Rolling Stones, Tom Waits, Public Image Ltd., a little Iggy Pop and David Bowie..it was great too (:

6.7/10

Barry Lyndon

A Stanley Kubrick film that hasn't really gotten recognized as widely as a lot of Kubricks other films.
I think it has a lot to do with the fact that the movie is over 3 hours long and doesn't exactly have an action packed plot.
The movie is divided into two halves. They're called (in MUCH fancier terms) How Redmond Barry aquired the name of Barry Lyndon and The Unfortunate Events that Barry Lyndon underwent as he fell from his high position....I just totally butchered that, but you get the idea.
The first half of the movie, we are introduced to the main character, Redmond Barry. He's an Irishman and, because of some love issues and a staged murder, he has to leave Ireland. From there he joins the British army...from THERE he ends up running away, getting caught up in a lie, and is forced to join the Prussian army. He works his way up there in the army and is assigned to spy on this...guy (yah, I totally forget his status).
When Barry discovers that the man he was sent to spy on is a fellow Irishman, they stick together and end up cheating rich men out of their money.
Eventually, they're found out and forced ro leave the country...where continuing to cheat men out of money with cards and Barry decided he needs to marry rich to continue the lifestyle he wants.
He finds a rich Lady (Lyndon)...and she falls in love and they're married.
The second part is after they're married. Barry kinda turns into an asshole at the point. He is extremely cruel to Lady Lyndons child with her previous husband, and totally favours his own child with her.
Long story short, (yah right...I suck at summarizing) he kinda abuses his stepson in front of people who he needs to impress in order to keep himself socially high...
Slowly he falls from the lifestyle that he was used to, without securing himself with any financial stability...the stepson comes back, challenges him to a dual, which Barry loses...and is sent out of the country to leave his mother alone...
I can see how people may consider this movie extremely slow and boring...it is really really long, and it didn't hold my attention as much as I would have liked, but I dis feel like every scene had a lot of work put into it.
I haven't read the novel it was based off of, but I get the feeling like what they kept from the book was done really well, true to the details of te book.
I have no idea why I feel like that...but, I dunno.
It was interesting...but I think someone interested in the 1700's time or in Kubricks film will really enjoy and appreciate it.

7.1/10